Nabokov’s Legacy: Bequeathing Butterfly Theory
By Kirstin Butler
Tomorrow, the 34th anniversary of Vladamir Nabokov‘s death, isn’t just a chance to observe the author’s contributions to the literary canon; it’s an opportunity for triumph. Nabokov admirers have long known of his double life as a lepidopterist — a scholar of butterflies — and master of prose (in multiple languages, no less), but it’s taken the scientific community time to catch up with his achievements in the former pursuit.
In January of this year, Nabokov’s 1945 hypothesis was finally recognized as scientific fact, putting the lie to that tired adage, “jack of all trades, master of none.”
My pleasures are the most intense known to man: writing and butterfly hunting.” ~ Vladimir Nabokov
Since Brain Pickings exists to celebrate cross-disciplinary creativity, we’ve long been enamored of the multi-talented linguist and lepidopterist. A true combinatorial force, Nabokov brought the precision of entomological study to his writing, and the playfulness of his words to the hunt for new butterfly species. (And as if that weren’t enough, he was also a synesthete.)
As an artist and a scholar, I prefer the specific detail to the generalization, images to ideas, obscure facts to clear symbols, and the discovered wild fruit to the synthetic jam.” ~ Vladimir Nabokov
It wasn’t until this year, however, that the author-scientist’s thesis on a particular blue butterfly was proven true. While Nabokov served, initially on a unpaid volunteer basis, as the curator of lepidoptera at Harvard’s Museum of Comparative Zoology, he speculated that the American Polyommatus had evolved over millions of years of emigration from Asia. And we now know that he was right.
During his 20 years in the U.S., Nabokov spent almost every summer traveling west both to work on his writing and search for new specimens. In fact, for proof of the cross-fertilization of his efforts, one need look no further than his masterpiece Lolita, a road-trip novel that mirrored the author’s own criss-crossing the country.
I spent what remained of the summer exploring the incredibly lyrical Rocky Mountain states, getting drunk on whiffs of Oriental Russia in the sagebrush zone… And yet–was that all? What form of mysterious pursuit caused me to get my feet wet like a child, to pant up a talus, to stare every dandelion in the face, to start at every colored mote passing just beyond my field of vision? ~ the fictional character Vadim Vadimych, in Nabokov’s final novel Look at the Harlequins!
So in celebration of his equally impressive contributions to two disciplines, we’ve gathered some of Nabokov’s entries in a third, the field of visual arts. Allowing his creativity free rein, Nabokov’s beautiful butterfly drawings–often penciled on the title and endpages of his many books–were actually pure products of his imagination. Like his work, these hybrid creatures combined existing species in new ways that only he could have conceived.
Does there not exist a high ridge where the mountainside of ‘scientific’ knowledge joins the opposite slope of ‘artistic’ imagination?.” ~ Vladimir Nabokov
The captions above draw on an excellent, but sadly out-of-print volume called Nabokov’s Butterflies. For more on his fluttering finds, however, read the brilliant Nabokov’s Blues: The Scientific Odyssey of a Literary Genius; or visit the fantastic online galleries of the Nabokov Museum. And if it’s more gorgeous scientific sketches you want, check out our review of Field Notes.
Published July 1, 2011