An Illustrated Celebration of the Many Things Home Can Mean
By Maria Popova
“Home,” Maya Angelou wrote in her magnificent meditation on belonging and (not) growing up, “is that youthful region where a child is the only real living inhabitant.” Indeed, it seems that only for children, with their purity of feeling and their ability to “mediate the ideal and the real,” does the Venn diagram of home and house integrate into one fully overlapping circle. In adulthood, the circles drift further and further apart as we begin to project our conflicted dream-home ideals onto our real houses.
In the impossibly wonderful Home (public library), illustrator and children’s book author Carson Ellis presents an imaginative taxonomy of houses and a celebration of the wildly different kinds of people who call them home.
What emerges is a playful and tender reminder that however different our walks of life — what contrast there is between the Slovakian duchess’s mansion and the Kenyan blacksmith’s shack, between the babushka’s kitchen and the artist’s studio! — we are united by our deep desire for a place to call home.
After all, we begin belonging to his world — to borrow Mary Oliver’s wonderful phrase — first by rooting ourselves into it; by staking out a little corner of it to call our very own. It need not have walls or a roof — it can be a tour bus, or even a shoe, as Ellis’s illustrated taxonomy assures — but only from that place of safety can we reach out to connect, to understand one another, and to begin belonging together.
Ellis guides the reader to and through this common thread of belonging by placing little semi-hidden markers of communion and continuity — the same house plant graces multiple homes; a pigeon visits the young girl in Brooklyn and then perches on the Russian babushka’s window; the icon that hangs on the wall of the babushka’s kitchen is seen, several pages later, on the wall of the artist’s studio. (The artist, endearingly enough, is Ellis herself.)
Sprinkled amid the very real homes of very real people from different cultures are the whimsical abodes familiar from beloved tales — right next to the Japanese businessman is the Norse god, proudly standing before his magical palace, and a giant upside-down cup calls to mind Leonard Weisgard’s magnificent mid-century illustrations for Alice in Wonderland.
Home is the kind of book that legendary editor Ursula Nordstrom, perhaps the greatest patron saint of childhood who ever lived, might say “can’t help but make any child warmed and attended to and considered.” Complement it with the best children’s books of the past year.
Illustrations © 2015 by Carson Ellis courtesy of Candlewick Press. Photographs my own.
Published March 9, 2015