Sylvia Plath’s First Job: How the Beloved Poet’s Formative Experience as a Farm Worker Shaped Her Writing
By Maria Popova
Sylvia Plath (October 27, 1932–February 11, 1963) began honing her craft by reaping the creative rewards of keeping a diary from a young age and was barely a teenager when she first started writing poetry. By the time she graduated high school, she had amassed dozens of rejection slips and only a few acceptances. Young Plath studied both carefully and noticed a curious pattern — much like the response her first tragic poem had garnered, her sadder pieces tended to be the ones accepted, while her more exuberant and joyous poetry and prose ended up rejected. It would be quite crass to seek in this a direct metaphor for Plath’s life — certainly, despite her enormous capacity for livingness, Plath perished by her own hand; but had she not held on to that very capacity for joy and wonderment, had she not defended it tirelessly against the behemoth of her mental illness, she may have lost the battle far sooner, without gifting the world some of the most beautiful poetry ever written — the very record of her tussle with light and darkness.
Nothing fed Plath’s appetite for exuberance and light more powerfully and enduringly than her formative first job as a farm worker, which she took with her brother the summer after graduating from high school in 1950. It made so strong an impression on her that fragments of it slipped into her writing throughout her life.
In an entry from her scrapbook-journal, included by her mother in the preface to the posthumously published Letters Home: Correspondence 1950–1963 (public library) — the same treasure trove that gave us the young poet’s thoughts on writing as salvation for the soul — Plath recounts that creatively and spiritually invigorating experience:
And so there are summers every year, but the one which brought my first job is unique. Warren and I went up to Lookout Farm [in Dover, Massachusetts] right after I graduated… Every day we biked up together early in the morning, left our bikes at Wellesley College usually and hitched a ride with one of the other hands. I can never go back to those days spent in the fields, in sun and rain, talking with the negroes and the hired hands. I can only remember how it was and go on living where I am… But … this Farm Summer will always be The First Job and the sweetest.
In an unpublished manuscript, included in the letters volume, Plath reflects on the experience:
I am now firmly convinced that farm work is one of the best jobs for getting to know people as they really are. As you work side by side in the rows, your hands move automatically among the leaves and your thoughts are free to wander at will. What, then, is more natural than to drift into conversation with your neighbor? It is really amazing what a receptive ear can do by way of encouraging confidences…
That First Job sprouted Plath’s ongoing fascination with botany and her love of the land, which she would come to channel both in her poetry and, perhaps most directly, in her little-known drawings. But the farm work was also the seedbed for her first true sense of professional success: The experience produced a poem and an article, both published in The Christian Science Monitor — the first major publication not only to accept Plath’s work but to embolden her with a note from the editor: “We hope that you will try us again soon with articles and essays for these columns.” Only a year later, she was already seen as someone “born to write.”
In the closing words of that seminal article, published under the title “The Rewards of a New England Summer,” Plath captures the spiritual awakening kindled by that formative farm job, channeled with the same pensive beauty that marks her poetry:
When you see me pause and stare a bit wistfully at nothing in particular, you’ll know that I am deep at the roots of memory, back on the Farm, hearing once more the languid, sleepy drone of bees in the orange squash blossoms, feeling the hot, golden fingers of sun on my skin, and smelling the unforgettable spicy tang of apples which is, to me, forever New England.
Letters Home is a devastatingly beautiful read in its totality. Complement this particular excerpt with French philosopher Gaston Bachelard on the spiritual rewards of housework, then revisit Plath on life, death, hope, and happiness, her breathtaking reading of her poem “A Birthday Present,” and the little-known children’s book she wrote for her own kids.
Published August 12, 2015