The Marginalian
The Marginalian

Frida Kahlo’s Illustrious Life, Illustrated

Frida Kahlo’s Illustrious Life, Illustrated

“Only an artist can tell … what it is like for anyone who gets to this planet to survive it,” James Baldwin wrote in contemplating the artist’s struggle for integrity. “Being an artist is not just about what happens when you are in the studio,” Teresita Fernández argued half a century later in her spectacular commencement address on what it means to be an artist. “The way you live, the people you choose to love and the way you love them, the way you vote … will also become the raw material for the art you make.”

Few artists have embodied this integration more fully, nor more beautifully, than Frida Kahlo (July 6, 1907–July 13, 1954).

Her singular integration of life, love, and art comes alive in Frida Kahlo: An Illustrated Biography (public library) by writer Zena Alkayat and artist Nina Cosford, part of the lovely Library of Luminaries series that gave us the illustrated biography of Virginia Woolf and that of Jane Austen.

fridakahlo_alkayat21

fridakahlo_alkayat1

The concise yet lyrical story follows Frida from her polio-scarred childhood in Mexico, to the nearly fatal accident that inflicted on her a lifetime of physical pain but also sparked her foray into painting, to her intense and complicated romance with Diego Rivera, to her spirited politics, to her creative and critical success as one of the most original and influential artists of the twentieth century. The call-and-response of pain and beauty emerges as the constant chorus of her life while she transforms, again and again, trauma into transcendent art.

Alkayat writes:

At six, Frida fell ill with polio. She was confined to her room for nine months and her right leg withered. To help her gain strength, her father encouraged her to take up sports that were usually reserved for boys.

fridakahlo_alkayat8

fridakahlo_alkayat9

A pivotal moment in Kahlo’s life, both physically and psychologically, takes place on September 17, 1925, when 18-year-old Frida is nearly killed in a bus accident that drives a handrail diagonally into her torso, from her left ribs to her uterus. Even the gore of this tragedy has an almost mythic quality to it.

fridakahlo_alkayat11

fridakahlo_alkayat22

fridakahlo_alkayat12

It is during the anguishing and seemingly endless recovery — to be sure, being bedridden for a month is indeed an eternity of torture for a teenager even without the excruciating physical pain — that Frida picks up painting, initially simply to distract herself. With the help of a mirror affixed to the canopy of her bed, she paints her first self-portrait — a gift for Alejandro, her first big love.

fridakahlo_alkayat13

fridakahlo_alkayat24

It takes Frida almost two years to walk again, and by that point she is already making a living as an artist. Her longing for mentorship and professional guidance leads her to her fateful encounter with Diego Rivera, who would become the great and greatly troubled love of her life, and the recipient of her passionate love letters.

fridakahlo_alkayat10

fridakahlo_alkayat25

fridakahlo_alkayat26

fridakahlo_alkayat14

Frida married Diego on August 21, 1929. She was twenty-two, he was forty-two. She looked like a bright, beautiful bird next to the rotund, unattractive Diego. She nicknamed him “Frog-Toad.”

Diego was obsessed with his craft and prized it above all else. He encouraged Frida to devote herself to painting and to explore her own artistic style. But the young bride threw herself into being a good wife. She cooked, cleaned, and entertained.

Every lunchtime, she prepared a basket of food blanketed with flowers and delivered it to the scaffold where Diego worked.

Even as the couple arrived in the United States in 1930, Frida continued to dress in vibrant traditional garb inspired by South Mexico’s Tehuana matriarchs. Every single morning, she took painstaking care with her outfit in a testament to Virginia Woolf’s case for clothing as a vehicle for our identity and values.

fridakahlo_alkayat15

fridakahlo_alkayat23

But her wardrobe was also dictated by the demands of her battered body and entailed an arsenal of corsets to support her fractured torso.

fridakahlo_alkayat17

Frida’s life continued to be marked by pain. Her longtime longing for a child was violently severed by two miscarriages, the second of which lasted thirteen days. While still recovering, she was beckoned back home to the dying bedside of her mother, taken by breast cancer. Once again, she turned her trauma into raw material for art — something Marina Abramović articulated beautifully a generation later — and her painting took on new dimensions of expressive depth.

Kahlo’s tireless quest for glimmers of joy included a menagerie of exotic pets she loved dearly, perhaps because they spoke to her own sense of creaturely strangeness.

fridakahlo_alkayat16

The story follows Frida’s life through her increasingly troubled marriage with Diego, their divorce and remarriage, Diego’s dalliances, and Frida’s eventual affairs with both men (including Marxist revolutionary Leon Trotsky) and women (including jazz icon Josephine Baker). Kahlo was deeply dispirited by her difficult love life, but this tumult of the heart found symbolic expression in her paintings and continued to shape her art, always so intimately entwined with her vibrant interior life.

fridakahlo_alkayat18

Frida’s old spark surfaced again in spring 1953 when a one-woman exhibition was arranged in her honor. Unable to walk on the day it opened, Frida sent her four-poster bed ahead of her and arrived in grand style on a stretcher. Her fans adored her, and the internationally celebrated show did much to cement her legacy as an incomparable artist.

In a sense, the bed became the womb in which Kahlo’s creative genius and legacy were gestated — she learned to paint in bed, met her greatest critical success in bed, and died in bed, in her sleep, the following summer.

fridakahlo_alkayat19

Her death occasioned the kind of collective tragedy of which Borges so memorably wrote — masses of mourners grieved in public, and her final resting place at the Place of Fine Arts was entombed by a bed of red flowers.

fridakahlo_alkayat27

fridakahlo_alkayat20

Complement Frida Kahlo: An Illustrated Biography with the beloved artist on how love amplifies beauty, her compassionate letter to Georgia O’Keeffe after her American friend was hospitalized for a nervous breakdown, and this very different picture-book about her life and spirit, then revisit the illustrated biographies of other cultural icons: Louise Bourgeois, E.E. Cummings, Paul Gauguin, Henri Matisse, Pablo Neruda, Jane Goodall, Albert Einstein, and Nellie Bly.

Illustrations © Nina Cosford courtesy of Chronicle Books; photographs by Maria Popova


Published August 29, 2016

https://www.themarginalian.org/2016/08/29/frida-kahlo-illustrated-biography-cosford-alkayat/

BP

www.themarginalian.org

BP

PRINT ARTICLE

Filed Under

View Full Site

The Marginalian participates in the Bookshop.org and Amazon.com affiliate programs, designed to provide a means for sites to earn commissions by linking to books. In more human terms, this means that whenever you buy a book from a link here, I receive a small percentage of its price, which goes straight back into my own colossal biblioexpenses. Privacy policy. (TLDR: You're safe — there are no nefarious "third parties" lurking on my watch or shedding crumbs of the "cookies" the rest of the internet uses.)