The Marginalian
The Marginalian

Reads tagged with “unphotographable”

The Unphotographable: Jack Kerouac’s Soaring Diary Entry About Self-Understanding and the Elemental Vastness of the Windblown World
The Unphotographable: Jack Kerouac’s Soaring Diary Entry About Self-Understanding and the Elemental Vastness of the Windblown World

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — Saturdays, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

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The Unphotographable #5: Georgia O’Keeffe on the Grandeur of Machu Picchu and Peru’s Otherworldly Mountains
The Unphotographable #5: Georgia O’Keeffe on the Grandeur of Machu Picchu and Peru’s Otherworldly Mountains

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — Saturdays, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

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The Unphotographable #3: Alaskan Paradise with Rockwell Kent
The Unphotographable #3: Alaskan Paradise with Rockwell Kent

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — every Saturday, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

read article

The Unphotographable #1: A Desert Sunset in the American Southwest
The Unphotographable #1: A Desert Sunset in the American Southwest

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — every Saturday, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

read article

The Unphotographable #7: Richard Powers on the Majestic Mass Migration of Sandhill Cranes
The Unphotographable #7: Richard Powers on the Majestic Mass Migration of Sandhill Cranes

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — Saturdays, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

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The Unphotographable #4: Iris Murdoch’s Portal to Transcendence, from the Sea to the Stars
The Unphotographable #4: Iris Murdoch’s Portal to Transcendence, from the Sea to the Stars

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — every Saturday, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

read article

The Unphotographable #2: Alpine Transcendence with Mary Shelley
The Unphotographable #2: Alpine Transcendence with Mary Shelley

Sometimes, a painting in words is worth a thousand pictures. I think about this more and more, in our compulsively visual culture, which increasingly reduces what we think and feel and see — who and what we are — to what can be photographed. I think of Susan Sontag, who called it “aesthetic consumerism” half a century before Instagram. In a small act of resistance, I offer The Unphotographable — Saturdays, a lovely image in words drawn from centuries of literature: passages transcendent and transportive, depicting landscapes and experiences radiant with beauty and feeling beyond what a visual image could convey.

read article

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