Umberto Eco on Lists and Making Infinity Comprehensible
What Don Giovanni’s lovers have to do with the poetics of catalogues.
By Maria Popova
As a lover and maker of lists, this made my heart sing: In 2009, the great Umberto Eco became a resident at the Louvre, where he chose to focus his studies on “the vertigo of lists,” bringing his poetic observational style to the phenomenon of cataloguing, culling, and collecting. He captured his experience and insights in The Infinity of Lists: An Illustrated Essay (public library), where he charts the Western mind’s obsessive impulse for list-making across music, literature and art, an impulse he calls a “giddiness of lists” but demonstrates that, in the right hands, it can be a “poetics of catalogues.”
Der Spiegel interviewed Eco about his project at the Louvre, yielding the following perl:
The list is the origin of culture. It’s part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order — not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries. There is an allure to enumerating how many women Don Giovanni slept with: It was 2,063, at least according to Mozart’s librettist, Lorenzo da Ponte. We also have completely practical lists — the shopping list, the will, the menu — that are also cultural achievements in their own right.” ~ Umberto Eco
The interview is fantastic in its entirety, as is The Infinity of Lists: An Illustrated Essay.
Published December 22, 2011