“We, this people, on a small and lonely planet,” Maya Angelou begins “A Brave and Startling Truth” — her cosmic wakeup call to humanity, which flew into space aboard NASA’s Orion spacecraft and which opened the 2018 Universe in Verse, dedicated to our ecological awakening on the wings of Rachel Carson’s courageous work.

That year, Marie Howe — one of our great living poets, who awakens the creaturely conscience of the next generation in her ecopoetry class at Sarah Lawrence College — premiered a kindred poem that stilled the crowd constellating at Pioneer Works before erupting into a thousand-bodied standing ovation. While inspired by Stephen Hawking (who had just returned his stardust to the universe several weeks earlier) and titled after his trailblazing work on black holes and singularities — work that shines a sidewise gleam on the origin of everything — the poem is at bottom a stunning meditation on the interconnectedness of belonging across space and time, across selves and species, across the myriad artificial unbelongings we have manufactured as we have drifted further and further from our elemental nature. Its closing line is an invocation, an incantation, ending with a timeless word of staggering resonance today: home.

As we now stand on a profound precipice two years later — facing our deeply interconnected ecology of being on this shared cosmic home as we look back on fifty years of Earth Day built on Carson’s legacy, facing the most intimate meaning of home in our isolated shelters scattered across this “small and lonely planet” — the poem pulsates with a whole new meaning, as all great poems do in the veins of time.

And so, as a special treat for the 2020 Universe in Verse, streaming on April 25 into millions of homes around this sole shared home, I teamed up with SALT Project — a kindred clan of visual storytellers, who have won some hearts and won some Emmys with their soulful shorts ranging from book trailers to bird migration documentaries — to bring Howe’s “Singularity” to life in a transcendent short film, illustrated by paper collage artist Elena Skoreyko Wagner and featuring original music by the heroic cellist Zoë Keating, who was present in atoms at the 2018 show when “Singularity” premiered and who also composed the score for “Antidotes to Fear of Death” — the headlining miracle of a poem for the 2020 show.

It is with exuberant joy and gratitude that I share, as a special taste of the 2020 Universe in Verse, this symphony of beauty and perspective, over which so many talented women have labored with so much heart and generosity of spirit .

SINGULARITY
by Marie Howe

          (after Stephen Hawking)

Do you sometimes want to wake up to the singularity
we once were?

so compact nobody
needed a bed, or food or money —

nobody hiding in the school bathroom
or home alone

pulling open the drawer
where the pills are kept.

For every atom belonging to me as good
Belongs to you.   Remember?

There was no   Nature.    No
 them.   No tests

to determine if the elephant
grieves her calf    or if

the coral reef feels pain.    Trashed
oceans don’t speak English or Farsi or French;

would that we could wake up   to what we were
— when we were ocean    and before that

to when sky was earth, and animal was energy, and rock was
liquid and stars were space and space was not

at all — nothing

before we came to believe humans were so important
before this awful loneliness.

Can molecules recall it?
what once was?    before anything happened?

No I, no We, no one. No was
No verb      no noun
only a tiny tiny dot brimming with

is is is is is

All   everything   home

Complement with an ink-and-watercolor animation of Mojave American poet Natalie Diaz’s gorgeous poem of brokenness and belonging and an animated adaptation of Neil Gaiman’s ode to women’s prehistoric role in the history of the scientific method.