Susan Sontag on the Crucial Difference Between Being in the Middle and Being at the Center
By Maria Popova
“The incarnate mind, the tongue, and the tale are in our world coeval,” J.R.R. Tolkien wrote in reflecting on how language shapes our capacity for fantasy. And because language is intricately entwined with everything from our cognitive function to gender politics to the evolution of creativity, it also shapes our experience of reality — and of ourselves in reality — even more profoundly.
From Susan Sontag: The Complete Rolling Stone Interview (public library) — her superb 1978 conversation with Jonathan Cott that was among the best books of 2013 and also gave us Sontag on the false divide between “high” and pop culture, how our cultural polarities imprison us, and love, sex, and the world between — comes Sontag’s characteristically insightful meditation on the inherent intelligence and ingenuity of language in helping us navigate the world and orient ourselves not only in relation to it but in relation to ourselves as well. She tells Cott:
What’s so wonderful about language is that we have these positive and negative words for the same thing. That’s why language is an infinite treasure. When we say in the middle, we think of someone who wants to remain equidistant from certain alternatives because he or she is afraid to take sides. But being in the center — isn’t that interesting? The whole thing changes.
One can think of it in the time sense. But “being in the center” is opposed to being marginal, and you don’t want to be in the margin of your own consciousness, or your own experience, or your own time. John Calvin, of all people, said, “The world is sloped on either side, therefore place yourself in the middle of it.” Meaning that you can fall off. We all know in our own lives that people are falling off the world all the time — they get onto that slope and then they start to slide. And that’s another sense of being in the middle. But to be on level ground is what you want to do because life is very complicated and you don’t want to just be hanging on by your bitten-down fingernails on one end of things, which is what happens to a lot of people because they can’t see anymore. And from where they’re hanging, it’s just a struggle not to fall off completely.
When Cott relays the famous anecdote that Johann Sebastian Bach preferred playing the alto or tenor parts in an orchestra because being in the middle allowed him to truly hear the music around him, Sontag responds with a remark doubly poignant in the context of today’s net neutrality debates and why they matter:
That’s so interesting about Bach. I think it’s wonderful. There’s an active notion of neutrality that people don’t understand. Transcendent neutrality isn’t an attitude of “I won’t take sides,” it’s compassion. Where you do see more than just what separates people or sides.
Susan Sontag: The Complete Rolling Stone Interview is truly an exceptional and wonderfully wide-ranging treasure. Sample it further here, here, and here, then revisit Sontag on love, education, “aesthetic consumerism” and the violence of photography, and why lists appeal to us.
Published June 24, 2014