‘Frankenstein’ Author Mary Shelley on Creativity
By Maria Popova
“Creativity involves not only years of conscious preparation and training but unconscious preparation as well,” Oliver Sacks wrote in outlining the three essential elements of creativity, adding: “This incubation period is essential to allow the subconscious assimilation and incorporation of one’s influences and sources, to reorganize and synthesize them into something of one’s own.” The richer one’s reservoir of these influences and sources, the more interesting their synthesis into something new would be — something Rilke articulated beautifully a century before Sacks when he contemplated inspiration and the combinatorial nature of creativity. Albert Einstein intuited this when he described the workings of his own mind as “combinatory play.”
Long before Sacks, Einstein, and Rilke, another genius addressed this abiding question of what it means and what it takes to create: Mary Shelley (August 30, 1797–February 1, 1851), writing in the preface to the 1831 edition of Frankenstein; or The Modern Prometheus (public library) — her trailblazing literary masterpiece that not only furnished a timeless lens on questions of science and social responsibility, but embodied the combinatorial nature of creativity as Shelley transmuted ideas she had absorbed at the science lectures she frequently attended into a visionary work of art.
Echoing her contemporary Ada Lovelace’s insight that invention is a matter of discovering and combining, Shelley writes:
Every thing must have a beginning… and that beginning must be linked to something that went before… Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos; the materials must, in the first place, be afforded: it can give form to dark, shapeless substances, but cannot bring into being the substance itself. In all matters of discovery and invention, even of those that appertain to the imagination, we are continually reminded of the story of Columbus and his egg. Invention consists in the capacity of seizing on the capabilities of a subject, and in the power of moulding and fashioning ideas suggested to it.
Published June 25, 2018