There is a nonspecific gladness that envelops humanity in the first days of spring, as if kindness itself were coming abloom in the cracks of crowded sidewalks, quelling our fears, swallowing our sorrows, salving the savage loneliness. We are reminded then that spring — this insentient byproduct of the shape of our planet’s orbit and the tilt of its axis — may just be Earth’s existential superpower, the supreme affirmation of life in the face of every assault on it.

That superpower comes alive with dazzling might in a century-old poem by E.E. Cummings (October 14, 1894–September 3, 1962), originally published in his 1923 collection Tulips & Chimneys (public library) — that epochal gauntlet at the conventions of poetry, which went on to influence generations of writers, readers, and daring makers of the unexampled across the spectrum of creative work — and read at the fifth annual Universe in Verse by the polymathic creative force that is Debbie Millman, with a side of Bach.

[O SWEET SPONTANEOUS]
by e.e. cummings

O sweet spontaneous
earth how often have
the
doting

            fingers of
prurient philosophers pinched
and
poked

thee
,has the naughty thumb
of science prodded
thy

        beauty    how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods
        (but
true

to the incomparable
couch of death thy
rhythmic
lover

            thou answerest

them only with

                        spring)

Couple with spring with Emily Dickinson, then revisit E.E. Cummings (who, contrary to popular myth, signed his name both lowercase and capitalized) on the courage to be yourself.

For other highlights from The Universe in Verse, savor Roxane Gay reading Gwendolyn Brooks’s “To the Young Who Want to Die,” Zoë Keating reading Sylvia Plath’s “Mushrooms,” Rebecca Solnit reading Helene Johnson’s “Trees at Night,” and a series of animated poems celebrating nature.